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一直(zhí )作為米(mǐ )路斯．科(kē )曼劇(🥇)本(📼)鐵三角（另一位(wèi )是(shì )(🕋)帕培(🕟)錫，也是本(běn )片編(🍥)劇之一(🎗)）成員(yuán )的(de )艾(ài )雲．巴薩，當然也走(😧)低度戲劇路線。同(❣)是(shì )(🌗)音(🏇)樂(♑)家的彼(🚤)德(dé )(🖲)與卡(🐿)洛(luò )老友重逢，生(shēng )活狀況大不同，你有伴侶我有(🚥)家(jiā )庭，然(📞)而都有(🥞)說不出的不明朗，唯(🚑)有(yǒu )(🐶)以酒與音樂代(dài )替(🔊)口水(shuǐ )。全片推(🧚)展不問目(mù )的，只在剎(chà )那間(🔢)的(❔)意圖(tú )，行行(🌊)企企(🥎)比起科曼更義(yì )無反顧，卻(què )有(yǒu )生(shēng )活(huó )淡(㊙)如流水的詩意和繆(miù )思(🍄)，叫(🥫)觀眾聯(🧤)想(🔔)到(dào )二十年(nián )後的伊力(lì )．盧馬(mǎ )。巴薩鍾(🧟)愛音(🧣)樂(lè )的程度不(👣)下於文(wén )字和(💝)電(diàn )影(yǐng )(💔)，古典音樂與(💍)民間(jiān )音樂於全片迴轉迴盪(dàng )，難怪成(chéng )了奇(💅)斯(sī )洛夫斯基(jī )十大心愛(🏒)電影之一。 (📧) 康城影展(zhǎn )青年(💏)評審(shěn )團獎，美國全(quán )國(guó )(🍽)影評人協會特(🔎)別獎(jiǎng ) (🆙)這(🖍)部(bù )1966年的珍品，是捷(jié )克新浪潮短暫生命中最佳作品之(zhī )一。成名音(📬)樂家(🕺)到小鎮探(🚤)訪(fǎng )舊(🍹)同學，舊同學是個(🔮)窮(qióng )音樂教師，有時在喪禮上吹奏樂曲(qǔ )。平凡的素(sù )材在(🙅)巴素手裡(🕵)，變出風趣復罕(🔍)見的旋(xuán )律，一部憂鬱的喜劇，或灰色(sè )喜劇(🔮)。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🌓) Source HKIFF Czech New Wave 2006
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