一直作為米(mǐ )路斯(sī ).科曼(🐽)劇(jù )本(běn )鐵三角(🐌)((🍩)另(lìng )一(yī )位是帕培(péi )錫,也是本片編劇之一)成(🆖)員的(🐉)艾雲.巴薩,當(dāng )然(rán )也走低度(dù )戲劇(👋)路線。同是音(yīn )樂(♑)家的彼(bǐ )德(dé )與(⚫)卡洛老友重逢,生活(huó )(🎡)狀況大不同,你有伴侶我有家庭,然(rán )而都有說(shuō )(🗑)不出的(de )不明朗,唯(wéi )有以酒(jiǔ )與音樂代替(🔊)口水。全片推展不(🔩)問目的,只在剎那間的(❔)意圖,行行(háng )企企比(🥔)起(qǐ )(💻)科曼(🙂)更(gèng )義無反顧,卻有生(shēng )活淡如流水的(de )詩意(yì )和繆(🈴)思(sī ),叫(🥫)觀眾聯(🧤)想到(dào )二十年後(hòu )的伊力.盧馬。巴薩(sà )鍾愛音樂(🤖)的程度不下於文字和電影,古(gǔ )典音(👊)樂與民間(🐾)音(🦇)樂於全片(🏻)迴轉迴盪,難怪成了奇(💅)斯洛夫斯基十大心愛電影之一。 (🔍) 康城影展青年(nián )評(📸)審團獎(👵),美國全國影評(🔞)人協會特(🔎)別獎 這部1966年的(⏳)珍品,是捷克新浪(làng )潮(cháo )短暫生命(🍺)中最佳作品之(zhī )(👩)一。成名音樂家到小鎮(zhèn )探訪舊(jiù )同學(xué ),舊(jiù )(💁)同學是(🧥)個(🔮)窮(qióng )音樂教師,有時在喪(sàng )禮(🐌)上吹奏樂曲。平凡(fán )的(✒)素(💨)材(🈸)在(🙅)巴素(🛌)手(🍾)裡,變出(chū )風趣(qù )復(👆)罕見(🏗)的旋(xuán )(🗒)律(🏆),一(🌒)部憂鬱(yù )的喜(xǐ )劇,或(huò )灰色(👔)喜劇。 (🦐) (🏁)- Dave Kehr, Chicago Reader (🔂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends –(👂) musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🍓) Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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